This cheeky Long-Billed Corella is full of personality – with a mischievous sparkle in its eye!
Painting ‘Bluey’ the Long-Billed Corella was a joy. Cockatoos ooze character and Bluey was no exception. With that scruffy crest, curious stare and a face full of sass, I knew I wanted to capture all the chaos and charm that these birds bring. I had so much fun creating those inky patterns and textures to echo the feathery mess and wild energy that Corellas wear so well. The watercolours gave me space to explore those soft whites, dusty pinks and that striking blue eye, while the ink let me really lean into the movement and mischief.
This one’s full of attitude and I loved every second of bringing Bluey to life.
Crafted with museum-grade archival pigment inks on acid-free, premium-grade 310gsm fine art paper, these fine-art giclée prints are not only visually striking but also ensure long-lasting beauty and durability – archivable up-to 100 years in fact (I mean, you can make it into a family heirloom to pass down the generations)! With each print hand-signed by Shannon herself, each print has a personal touch and true authenticity to your art collection!
Shannon's works are painted and made in Australia but displayed in homes around the world – adding pieces of ‘Straya everywhere! Experience the magic and enliven your space with the vibrant spirit of Shannon’s Australian wildlife art.
Crafted with museum-grade archival pigment inks on acid-free, premium-grade 310gsm fine art paper, these fine-art giclée prints are not only visually striking but also ensure long-lasting beauty and durability – archivable up-to 100 years in fact (I mean, you can make it into a family heirloom to pass down the generations)! With each print hand-signed by Shannon herself, each print has a personal touch and true authenticity to your art collection!
Shannon's works are painted and made in Australia but displayed in homes around the world – adding pieces of ‘Straya everywhere! Experience the magic and enliven your space with the vibrant spirit of Shannon’s Australian wildlife art.
Specifications
Paper: Premium-grade bright white 315gsm acid-free paper, with a beautifully subtle textured finish using
Inks: Printed with archival pigment inks.
A 10mm white margin (beyond the image size) is added to the A4 & A3 sizes, for ease of framing*.
Prints may be posted flat or rolled in acid-free tissue paper, within a postage tube.
Custom sizing available on request.
*A2 & A1 Sizes do not include the white margin.
What is a Giclée?
Giclée is a printing process using high-quality digital files, archival-grade pigments and acid free media resulting in a fade-free image which achieves a seemingly “dot-less” imaging technology (which varies from traditional fine art printing which typically relies on screen pattern dots to reproduce full-range colour halftones). The Giclée process enables reproduction on virtually the same media as the original artwork.
Paper: Premium-grade bright white 315gsm acid-free paper, with a beautifully subtle textured finish using
Inks: Printed with archival pigment inks.
A 10mm white margin (beyond the image size) is added to the A4 & A3 sizes, for ease of framing*.
Prints may be posted flat or rolled in acid-free tissue paper, within a postage tube.
Custom sizing available on request.
*A2 & A1 Sizes do not include the white margin.
What is a Giclée?
Giclée is a printing process using high-quality digital files, archival-grade pigments and acid free media resulting in a fade-free image which achieves a seemingly “dot-less” imaging technology (which varies from traditional fine art printing which typically relies on screen pattern dots to reproduce full-range colour halftones). The Giclée process enables reproduction on virtually the same media as the original artwork.
Choosing a selection results in a full page refresh.
